Archive for the 'Film' Category

What Is Netflix Thinking?

Netflix logoA friend of mine wrote to me today asking if I was familiar with Guy Maddin’s film My Winnipeg. He’d seen it on an Air Canada flight, and as he put it, “Just the fact that Air Canada would put such a weird film on their movie list makes me want to immigrate there.” And he’s an immigration attorney. I think I’ve seen three of Maddin’s films — Dracula: Pages from a Virgin’s Diary, Cowards Bend the Knee (or The Blue Hands) and The Saddest Music in the World, and it would be fair to say I’m a fan.

My friend told me that the film is available at Netflix, so I popped over there. While I still consider myself a cinephile (cineaste, movie buff, whatever you want to call it), the fact is that I don’t see nearly as many films as I used to. Consequently, I don’t log in to Netflix that often. Before I checked on the Maddin film, I figured I’d look over some of their suggestions for me, based on my ratings — the famed “Movies You’ll ” page. I had thought that the recommendations were based on ratings from friends in addition to my own ratings, but apparently it’s all me.

Some of the recommendations and the reasons behind them seemed sensible enough. Samurai Rebellion was recommended because I liked Seven Samurai, Yojimbo, and The Hidden Fortress. No problem there.

Ace in the Hole (also known as The Big Carnival) was recommended because of my positive ratings for 2001: A Space Odyssey, Annie Hall and Blue Velvet. I’ve seen Ace in the Hole, and I recall liking it, but it was a long time ago. It was one of the films we studied in my very first film studies class. The class was an English department elective in my high school, and basically involved memorizing the glossary at the back of Louis Giannetti’s Masters of the American Cinema (a book I ended up buying for a film class in grad school some six years later), and watching films while the teacher, the inimitable Miss Lily Achille, would shout out in her Eleanor Roosevelt/Margaret Dumont voice, “The framing! Look at the framing!”

Where was I? Oh, yes — Ace in the Hole. I appreciated being reminded of it, and may in fact add it to my queue. But I have no idea what it has to do with those three other films.

At the bottom of the recommendation page was a big surprise, with a few surprises attached. Under the heading Sports and Fitness Suggestions were the following three titles:

Netflix recommendations

Now, just for starters, it doesn’t make a lot of sense to recommend anything to me from the Sports and Fitness category, unless you happen to be my doctor. I am, after all, a fat, lazy slob. This just isn’t my thing. But look at the films I liked, which led Netflix, in its infinite wisdom, to offer up these suggestions.

Lost in Transition is recommended because I enjoyed Lost in Translation

What do these two films have in common, apart from the similarity in their titles? Well, here’s the blurb for the recommended film:

Take an unforgettable journey in this action-packed film shot in multiple locations around the world, documenting snowboarding’s top athletes at the peak of performance. Facing off on some of the planet’s steepest slopes, featured boarders include Mark Landvik, Frederik Kalbermatten, Dave Downing, Eero Ettala, John and Eric Jackson, Markku Koski, Jeremy Jones, Mads Jonsson, Dave Downing, Benji Ritchie and more.

It’s just the similarity in the titles.

Crunch: Candlelight Yoga is recommended because I enjoyed Lilya 4-Ever

If you’ve never seen Lilya 4-Ever, you really should, but only if you think you can handle it. It’s very, very unpleasant. For someone in my condition, yoga (by candlelight or not) would also be very, very unpleasant, but I don’t think that’s the connection. I recall that there was a yoga show on PBS when I was a kid, called Lilias! Yoga and You, and the show’s host, Lilias Folan, is still at it. Maybe she’s on the disc, and Netflix made a Lilias/Lilya connection… Nope, that’s not it. The host of the yoga video is one Sara Ivanhoe (yeah, right). Lilya does find herself in a number of uncomfortable positions over the course of the film, but that just couldn’t be the connection. I’m at a loss on this one.

Finally, the most confusing recommendation of them all:

Billy Blanks: Bootcamp: Ultimate Bootcamp is recommended because I enjoyed The Short Films of David Lynch

What? Does Lynch do Tae Bo? Do the Ultimate Bootcamp workouts somehow involve running sores, or fear of sexuality and biology? Maybe during breaks they bring on a couple who bark like dogs while abusing their tuxedo t-shirted child.

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What’s in a Name?

I don’t know, but it kind of makes you wonder, you know?

Lynne Cheney and Lon Chaney
Lynne Cheney…. Lon Chaney…
Lynne Chaney… Lon Cheney…

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Utter Brilliance

Oh, how I love the web.

I have loved this bit of claymation since I first saw it on when I was seven or eight years old, and I don’t think I’ve seen it in about thirty years. Half an hour ago, I was watching trying to tell a story about a bunch of rocks (not quite his best work) and it reminded me of this little wonder, so I ran a quick search on sesame street 12 animation rocks and there it was. Joy!

This piece has it all: religion, sacrifice, symbolism, mob mentality, violence. This is a big part of how I ended up studying the . (I studied under that guy. The bibliography of the book is six months of me.)

No, I’m really not kidding. Forget the story, forget the lesson, and just think about the sensations and motivations. What are those stones experiencing? It’s the point at which the conscious and subconscious meet. There is thought, but that thought is only hesitation toward a release that takes them to a level of nothing but feeling: rage for some, fear for others, and then, natural understanding and escape to safety. Qwerty like.

[youtube=http://www.youtube.com/watch?v=0Pn5Uz5OP8I]

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All New!

All NewHow does “all new” differ from simply “new”? On the eye of hell, there’s the occasional clip episode, in which the characters, stuck together in one place for one reason or another (snowed in, car broke down, nuclear holocaust) reminisce about all the fun ‘n’ special times they’ve had together. So they shoot a couple of scenes which serve to introduce clips from previous episodes. I suppose you could say that’s new, but not all new.

The problem is that those “new” episodes are clearly the minority, so it shouldn’t be necessary to tag anything new — really new — as “all new.” Besides, most of the time they’re not “all new.” How many “all new” episodes open with a quick reminder of what’s been going on so that the viewer can figure out what’s going on (it’s all so complicated!)? So what’s that? A not-new bit of the “all new” episode? Maybe they should call it “virtually all new” or “all new with the exception of a bit you can skip if you’re up to date on the story so far,” but they can’t really in good conscience call it “all new.”

Then again, these are the same people who will refer to a show as a “hit” before it’s had its premiere. How is that possible? Have they come up with their own definition of “hit,” kind of like the way the has seen fit to redefine “,” “war,” “patriot,” and “.” Maybe if they like it, it’s a hit. “We really hit the nail on the head with , don’t you think?” “Oh, yes sir, ‘hit’ is the word.”

Car companies do the same thing. How many times have they announced the latest iteration of some model by telling us that they’ve “rebuilt it from the ground up, completely rethinking everything.” You have to wonder how many meetings they held before they decided it would have four wheels.

Is it really that big a deal for something to be new? Was the old version so god-awful that you won’t even consider looking at something unless you’re assured it’s new new new new? I’m reminded of that scene in in which Henry goes to dinner at Mary X’s house and meets her parents for the first time:

Mr. X: We’ve got chicken tonight. Strangest damn things. They’re man-made. Little damn things, smaller than my fist - but they’re new!…… I’m Bill.

Henry: Hello. I’m Henry.

Mrs. X: Henry’s at Lappell’s factory.

Mr. X: So, printin’s yer business, eh? Plumbin’s mine. Thirty years! I’ve watched this neighborhood change from pastures to the hell-hole it is now! I put every damn pipe in this town!

Mary X: Dad!..

Mrs. X: Bill…

Mr. X: People think pipes grow in their homes! Well they sure as hell don’t. Look at my knees! Look at my knees!

Mrs. X: Bill…

Mr. X: Are ya hungry?

Mrs. X: Bill…

And we know how well that worked out…

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Larry the Larry

LarrySo… he’s Larry the Cable Guy — Health Inspector. He has two jobs, right? The film is about America’s struggling working class, trying to make ends meet. No?

OK, so his name is Larry the Cable Guy (I think that’s Dutch), and he works as a health inspector. It’s one of those American Dream stories. He’s Dutch nobility, disowned by his family, who comes to the new world for a new life and finds happiness truly serving the public, unlike his ancestors, who claimed to serve the people but really just used them. Wrong again?

OK, fine. Larry the Cable Guy is his cutesy little hillbilly character. Does he have a real name? Even the Rock has started at least occasionally calling himself Dwayne Johnson. And why? Because he’s not playing a professional wrestler.

Our boy Larry is apparently , who isn’t even from the south. Why not just stick with “Larry”? He could be the of the 21st century, thrilling us with knee slappers like Larry the Rodeo Clown, Larry the Orthopaedic Surgeon, Larry the CIA Interrogator (Git ‘er waterboarded), Larry the Saucier, Larry the Internet Marketing Consultant, Larry the Faceless Bureaucrat, and Larry the Occupational Therapist. Surely that would be better than Larry the Cable Guy — Rodeo Clown, Larry the Cable Guy — Orthopaedic Surgeon, Larry the Cable Guy — CIA Interrogator, Larry the Cable Guy — Saucier, Larry the Cable Guy — Internet Marketing Consultant, Larry the Cable Guy — Faceless Bureaucrat, and Larry the Cable Guy — Occupational Therapist.

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Be Very Afraid

Welcome to America’s madrassas.

Speak in tongues — all the drooling you want without any punishment!

Join Christ’s Shock Troops!

Lay down your life for the Gospel!

Get trained to be a warrior — “only in a much funner way!”

Get sent to Heaven where you can hang with the Sweet Baby Jesus while you’re still in his age group!

Watch the video or read about it from the perspective of a “secular liberal feminist from New York City” — I bet she’s a Jew, too.

[youtube=http://www.youtube.com/watch?v=co1_9lR9EpM]

Update: Crooks and Liars points to the film’s official site, where I found the trailer.

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